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Songs that the Purple One wrote for others, as performed by the person who wrote them. A good set of well-produced demos, but nothing that should have been released a long time ago and mostly of historical interest.
A near-dozen electrolatinized hits, not all of them latinamerican in origin but all of them served as tremendously smart interpretation, from a mostly-marimba “Maniac” (from Flashdance) to the sparse cumbia of Prince’s “Beso”.
The celebrated funk guitarist releases this collection of R&B and/or big-band inflected compositions, featuring some notable guest stars, but it’s all just wrapping paper on a big cinderblock of groove.
Like the whoomp from pouring too much firestarter on and throwing the match in, this band is in your face, exciting and a bit scary at the same time, with its snarling guitars, sneering vocals, and the heft of every possible item in the garage.
Camilo Lara teams up with some influences from the southern hemisphere to bring about this collection of decidedly cumbia-inflected tracks. The sounds lean heavily towards the casiotoned but are expertly counterbalanced with orchestral decorations.
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