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That loose groove on the drums, the casually menacing bass, and Mike Doughty’s stream-and-consciousness narration… there’s also no shortage of political commentary on these three songs, putting a bold face on topics most others approach obliquely.
Is it the analog synthesizer flourishes, or the gentle delivery with an aggressive intent, or the seamless shuttling between disparate elements that shouldn't work together? The band sounds perfectly familiar, yet completely its own thing.
Another solo pop genius wunderkind, blasting it out of the water with a summery mix of rock and psychedelia.
A dynamic collection of mostly-short funky jazz instrumentals, with a full horn section and a driving beat.
On Halloween I fell asleep to this horror-punk platter playing, and dreamt of whirling in a mosh pit in a toxic swamp, catching elbows and knees from zombie alligators and bouncing off leaking radioactive waste barrels. I woke up covered in bruises.
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