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The recipe for Yello’s bass-heavy, rhythmic, mid-tempo groovecake has not changed in forever, and it still makes the ideal soundtrack for putting on your sunglasses and slouching down in your seat.
Hard to believe how affordable advanced lighting for your basement disco warren has become — you can transform the small room into a raging den of chill and/or libido, simply by purchasing a couple hundred dollars worth of lights and playing this.
Some people will slice and dice their way to a hostile disjointed soundscape filled with vague unease, but Wagon Christ’s approach yields something sunnier and wholesome, like fruit salad.
Like the whoomp from pouring too much firestarter on and throwing the match in, this band is in your face, exciting and a bit scary at the same time, with its snarling guitars, sneering vocals, and the heft of every possible item in the garage.
Camilo Lara teams up with some influences from the southern hemisphere to bring about this collection of decidedly cumbia-inflected tracks. The sounds lean heavily towards the casiotoned but are expertly counterbalanced with orchestral decorations.
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