A near-dozen electrolatinized hits, not all of them latinamerican in origin but all of them served as tremendously smart interpretation, from a mostly-marimba “Maniac” (from Flashdance) to the sparse cumbia of Prince’s “Beso”.
For a quarter century, Dirk Dresselhaus has been putting out sparse, intelligent electronic compositions that even at their calmest crackle with some subtle form of nervous energy.
Angular and glitchy while remaining melodic, this is a labyrinthine set of electronic compositions inviting attention to detail or outright zoning out.
YACHT dropped out of sight right before the whole "yacht rock" revival thing happened, but this release reinforces the band's penchant for commenting on current themes with the musical equivalent of wearing sunglasses inside the nightclub.