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No denying this band exists in a dual space of Gen X ridicule and genuine nostalgia. The new album is filled with the same sunny indie-rock wink-and-grin disposition that rightfully earned them the title, broadcasting into/from the airwaves of 1994.
Deep-fried riffs, some well-placed cowbell, and guitars up front in the spotlight make for a heaping slab of that delicious Southern Boogie. There’s not a whole lot of new going on here, but it sure is ready to party.
It has been a while since we have heard from this band, with its brutally catchy hooks and ultra-refined pop sensibility, delivering velvet hammer blows with the gentlest vocal harmonies and delicate guitar plucks.
Hard-rocking, beer-chugging, smoke-breaking anthems from this Cleveland couple. They can also veer into weird and spooky.
Like the whoomp from pouring too much firestarter on and throwing the match in, this band is in your face, exciting and a bit scary at the same time, with its snarling guitars, sneering vocals, and the heft of every possible item in the garage.
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