Sometimes it takes a while for an album to be recognized as a classic, sometimes the shock of recognition is instant and universal. This is the case for Spoon and their latest release, Lucifer on the Sofa, which showcases much of what has made the band a constant source of solid material, but in a concentrated way that will make you start all over as soon as you hit the end.
The economist wondered where they’d be if the herpetologist had been available. Probably not prone under a cover of leaves, covered in protective armor, tapping two small bamboo sticks as a ruse to attract a golden lancehead. The rhythm was from the single Nordic folk d’n’b that had played on repeat 142 times on their trip out of the Port of Santos. It had been difficult to find a captain willing to land them on Ilha de Quemaida, so it was not wise to criticize their choice of music for the journey. The epidemiologist was nearby, peering into the carefully held vial and running the numbers on when it would be filled at the current rate of collection, and how quickly they could get off the island once that moment arrived.
There wasn’t enough room on the narrow boat for the botanist to take out a handkerchief and wipe their brow. The square head vessel, slicing through the water on its way to the Phong Dien Floating Market, looked to be laden with mangos, but that was a ruse. The pyramids that piled the boat only a had a skin a single mango deep. Underneath were piles of something with about the same density as mangos, but much much more valuable. The captain twisted the knob on the cabin radio on hearing some narcopolka, the device’s limited capacity making the sound increase not in volume, only in distortion. The sun sparkled off the water, a thousand heat lasers evading the shade thrown by the wide straw hats they wore.
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