I always thought Kurt Vile was a play on the name of the German composer that gave us “Mack The Knife,” but that seems to be his given name (bonus: middle name is Samuel). Sonically, he’s more in line with Lou Reed than Weill, topping his awkward nouveau folk with a voice that may not be the most musical but is actually the perfect medium to express this particular malarkey.
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
I have never been so uncomfortable, thought the hacker as they strained to match the wires in the fusebox, their head inches from one of the combine’s many potentially lethal harvesting blades. The lookout’s shadow was barely visible against the hangar door. Straining to clip the blue wire into the scanner, they heard a soft call and nearly lost an ear before remembering their uncomfortable position.
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