You might think Juanes is some sort of reference to a collective of people named Juan, but it is actually a single Juan, more accurately a Colombian named Juan Esteban Aristizábal Vásquez. Here he is singing along to Elvis Costello and the Attractions as part of the fascinating Spanish Model project.
The story of Nell Smith & The Flaming Lips is as improbable and unexpected as their album full of Nick Cave covers. Existing in a triangular universe of mutual admiration, Where the Viaduct Looms gave us the opening track tonight, the menacing “Red Right Hand”.
If The Wedding Present were the traditional sort, they would be bringing coral to the festivities. This one is from earlier in their career, closer to the wood years, but the Velvet Underground never goes out of style. This is from another good VU tribute album, Heaven and Hell from 1991 or so.
“Did you say you wanted FIVE?” asked the turkey-leg vendor, his incredulity betraying the slightest bit of Norwegian accent. The crowds at the Trondenes Middle Ages Visitor Park thronged past as the young man counted the hands available to the pair before him, performed a simple matching algorithm to the five turkey-legs being requested, and came up with a non-computing value. “We’re hungry,” offered the machinist helpfully. The gymnast kept an eye out for Sverre the allodialist. They needed to have a few words with him about the land titles, preferably in the privacy of the sleek three-man catamaran that had discretely brought them here. The half-darkening of the sky that passed for night at these latitudes meant the usual tactics were out and they would have to convince him to come willingly.
Sounding a lot like the heyday of 1990s indie dream pop, Walrus keeps it a little spicy if not very distinctive.
A distinctive female voice fronting a standard indie combo is not the most exciting formula, but Big Thief has a penchant for weird flourishes and unexpected changes that keeps things interesting
The baker took one last look at the cake, sitting on its gold-rimmed stand on the veranda, the carefully cultivated gardens surrounding the Palacio Rioja visible in the background. If it weren’t for the two backpack stealthcopters leaning against the railing, it would be Instagrammable, hashtag noneofyourbusiness. The architect finished the final touches, and gave a silent nod. In a smooth motion, the two of them had their packs on and had plummeted over the edge, carefully angling away to not disturb the icing.
The catamarine knifed silently upstream, its passage discernible only as a faint twin wake on the surface of the river. Up ahead, the sonar array was already picking up the turbulence from the Mbocaruzú falls, the staccato warning pings slicing neatly between the Mozambique big-band swing being piped into the earpieces. In their individual pods, the cartographer and the miner reviewed their maps, surveys, and orders. Up ahead, behind the rushing down-flow of the water and completely out of sight, a set of steel doors silently opened and awaited the pair’s arrival.
Mysteriously complicated folk music, with the sort of lush guitar arrangements and ethereal vocals that brought 4AD to prominence 30+ years ago.
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