The story of Nell Smith & The Flaming Lips is as improbable and unexpected as their album full of Nick Cave covers. Existing in a triangular universe of mutual admiration, Where the Viaduct Looms gave us the opening track tonight, the menacing “Red Right Hand”.
It’s hard to to live up to a name like Young Fresh Fellows when you’ve been at it for almost 40 years, but good time rock and roll never goes out of style.
Part of what will be known as the Great Australian Psychedelic Expansion, Bananagun is more incense and lava lamps than strobes and smoke machines.
The composer stood over the gunwale, pressed the small button, and blew into the instrument, discharging the contents into the dark green waters below. If they had known it was going to be this type of floating market, they would have picked a different watercraft. This explained the unprecedented difficulties when trying to secure their transportation with the Colombo office. The ichthyologist indicated one of the floating structures, and began maneuvering their craft towards it. The composer took a breath and the signal, a brief segment of “Message To You Rudy”, went out from the melodica.
The accordionist’s boot was tangled in a mangrove root. The deepening dusk of Meads Bay Pond brought with it a soft breeze and an ugly threat of bug swarms. Their chances of getting to the beach and capturing enough glowing sugar crabs were dwindling. The roots, more like underwater dreadlocks, heaved as the booted foot attempted to twist out, the accordion case held high as counterbalance. The technician glared at the spectacle briefly before shining a light on the clipboard. In the distance, a barbershop quartet with a Tuvan throat-singing baritone made it incongruous presence known. The keys to the long-range waterbikes had a floaty thing on them, but they were permanently attached to the metal clipboard, which would sink like a stone. The Governor’s Office back in The Valley would certainly hear about this.
It was a jam-packed evening, and we even got to fit in a request for Mission of Burma for Generoso and Lily, listening over the satcom from their armored zeppelin thrumming over the Iowa cornfields. Also: the world needs more Franklin Bruno.
Aggressive metal-reggae-funk, which is not something I generally like, but this one has some sort of undermined charm to it.
They're all over the place, but that's what I like about Post Animal. "Dirtpicker" owes much to the Jesus Lizard, especially in its title.
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