Tag: The Muffs

There is no shortage of consuming urgency to the sound of this UK trio called simply Shopping.

Katie Crutchfield, performing as Waxahatchee, has been slowly and steadily building her repertoire and now her talent is overflowing her banks.

They call it Hotlanta for a good reason, but I’m sure The Black Lips have enough bad attitude to have way more colorful names for their hometown.

M. Ward could get by on his smoky velvet voice alone, but he also happens to be a supreme connoisseur of what alert musicians call songcraft.

The composer stood over the gunwale, pressed the small button, and blew into the instrument, discharging the contents into the dark green waters below. If they had known it was going to be this type of floating market, they would have picked a different watercraft. This explained the unprecedented difficulties when trying to secure their transportation with the Colombo office. The ichthyologist indicated one of the floating structures, and began maneuvering their craft towards it. The composer took a breath and the signal, a brief segment of “Message To You Rudy”, went out from the melodica.

The strategist made to pick up a card, then withdrew their hand. A cool breeze, laden with yesterday’s afternoon dust, stirred through the empty square near the Musée Ahmed Zabana, knocking discarded paper cups against the stone table’s legs. The tandem scooter, not something you usually see in these parts of Northern Africa, come to think of it the world, leaned against the bench the investigator slouched on. “Make your move” their eyes implored in exasperation, as the pair waited for the gift shop to open.

Sultry, measured vocals are set off against an array of spiky arrangements and instrumental bursts, song parts constantly evolving and mutating, so that little finishes the way it started.

The Musée National stood like a squat block, facing the highway at an angle and mirrored to the left by the library. The hu hu sat inside, waiting in the wing housing the musical instrument collection. The surgeon nervously handled the endoscope case, dusty from the helicopter ride that had brought them to N’Djamena. The calligrapher was clearly nervous but their services would only be required for brief minutes while they inspected the inscription on the inside of the ancient calabash.

The pair powered down the sand-skis as they approached the slight concavity in the beach that had been described by the vendor in the spice market. The cliffs of Levera National Park did not seem to be an ideal place for smugglers to congregate, but the actuary would be the first to admit they did not know the first thing about smugglers and their habits of congregation. The blacksmith was better versed in these things, and they didn’t seem to be bothered by where the assignment was taking them. As the morning fog absorbed the last echoes of the recently-killed engines, they marveled at the conical shape of Sugar Loaf rising above the azure Caribbean water.

Girl-forward pop-punk with a harder edge, the type where dissonant guitar stabs merge into gloriously harmonized chorus hooks.