Tag: Pom Pom Squad

For a quarter century, Deerhoof have been a benchmark for the contrasting dynamics of sweet and sour, spiked and pillowy, and all manner of sounds that should not get along but quite obviously do.

Pom Pom Squad began as songwriter Mia Berrin's solo operation but now employs four full-time experts in musical munitions and lethal lyrical techniques

Tonight started out with an hour of the sickest music around, which is to say songs about illness, medication, and other health-related issues. The following two hours were the usual incomprehensible mixture of genres and bad attitudes.

Some bands are obscure, others are sporadic, but The Mabuses are downright enigmatic. Their music is hard to describe, and while the word "psychedelic" has become a commonplace and devalued label to put on something these days, in this case it would apply as a feeling of existing in a disjointed but entirely fascinating musical reality rather than a genre.

Uwe Schmidt has had an extensive career, recording under many names as electronic musicians do, but it's his work as Señor Coconut (and now as Atom™), where he deconstructs familiar songs into something Kraftwerk would play if hired to play a quinceañera, that brings me this very particular weird glee.

The original “Crimson and Clover” was Tommy James and the Shondells' biggest hit, but it was also one of the first songs to be recorded on 16 track equipment, and is a textbook example on the use (or overuse) of rhythmic tremolo. Pom Pom Squad does a good job of channeling the song's sweet yet feral vibe.

A solid debut album, with a wide range of energies and emotions, filled with swirling guitars, moments of unabashed vulnerability, and sheer screeching unhinged psychopathy.