Tag: The Gravel Pit

Sure, they claim to be joking, but the chops you hear from Lizard Music are as serious as a car accident, their indie guitar pop leaving no hook unsharpened or ear unwormed.

The three-piece punchy pop formula should be familiar to everyone by now, but the sounds of Bad Bad Hats are an elegant proof of their own.

Like pre-teens throwing every liquid into the kitchen blender and daring each other to drink the results, Woody and Jeremy fuse all manner of sounds legitimate and profane into some murky concoction that tastes surprisingly good.

Pom Pom Squad began as songwriter Mia Berrin's solo operation but now employs four full-time experts in musical munitions and lethal lyrical techniques

Uwe Schmidt has had an extensive career, recording under many names as electronic musicians do, but it's his work as Señor Coconut (and now as Atom™), where he deconstructs familiar songs into something Kraftwerk would play if hired to play a quinceañera, that brings me this very particular weird glee.

The original “Crimson and Clover” was Tommy James and the Shondells' biggest hit, but it was also one of the first songs to be recorded on 16 track equipment, and is a textbook example on the use (or overuse) of rhythmic tremolo. Pom Pom Squad does a good job of channeling the song's sweet yet feral vibe.

If you are of a certain age and exposure to the MTV, you would think that people in Tijuana eat barbecued iguana, but that was just Stan Ridgway and Wall of Voodoo reaching for a cheap rhyme. Polvo takes the song's nervous energy and turns it up a few notches.